Archive for the ‘Metalsmithing’ Category
Tuesday, January 1st, 2008
by Sherri C. Burch
Collecting scrap pieces of metal is inevitable in jewelry fabrication. As a silversmith for the past 13 years, I have collected quite an array of sterling silver scrap. This, of course, could be sold or cast into something useful. However, I am more attracted to starting from scratch. The reward comes from my own design and construction. (more…)
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Tuesday, January 1st, 2008
by Tom Weishaar
Not so long ago, on a very busy day, a man asked me to mend his wife’s wedding ring, a tapered bold band with a crack in the shank. I have to admit I neglected our normal take-in procedure and didn’t examine the ring thoroughly before writing up the repair ticket. (more…)
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Sunday, January 1st, 2006
by Stewart Grice
Have you ever wanted to try reticulation but were not sure how? Or perhaps the technique is just too time-consuming or risky and so you canʼt be bothered? Well, good news for you because Hoover & Strong has just taken all the risk out of this fascinating technique. (more…)
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Sunday, January 1st, 2006
by Stewart Grice
Granulation comes from the Latin “granulum” or granum” meaning “grain”. It is a decorative process involving the application of small, usually spherical granules to a base object by fusion weld bonding. (more…)
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Sunday, January 1st, 2006
by Stewart Grice
TruPd™ is the inexpensive option to Platinum and the superior product to White Gold that jewelers have been waiting for. It is suitable for all general fabrication techniques, and can withstand high levels of deformation between anneals. TruPd™ is Pure, White, Precious and Strong.
(more…)
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Wednesday, November 1st, 2000
by Nina Cooper
This bracelet and earring set was designed by Leah Levin, one of the designers at my company, Nina Designs. The original was made in garnet, but you can substitute any gemstone beads you like. Amethyst, onyx, and labradorite are good alternatives. (more…)
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Wednesday, November 1st, 2000
by Cynthia Wiig
Before embarking on this project, let me give you a little background on the evolution of this design. I originally used the forging hammer (necessary for this project) at the beginning stage of forging spoons. When I first began creating jewelry for my livelihood, I wondered how else these hammers could be used. (more…)
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Wednesday, December 1st, 1999
by Michael Good
Adding a new curve to fine jewelry
His jewelry is easy to spot. The sensuous meandering forms are irresistible. The elegance and balance are captivating. His artistry attracts the jewelry-buying public; the techniques draw in other makers. His innovative jewelry has been shown in museums and fine jewelry stores around the world. (more…)
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Tuesday, June 1st, 1999
by Sharon Elaine Thompson
Reticulation permits the studio jeweler to create unique textures on silver or gold - but it takes a deft hand on the torch to get the desired results. (more…)
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Monday, January 1st, 1996
by Alan Revere
Techniques ranging from ancient to sci-fi create unlimited design opportunities for goldsmiths. Here’s a look at how they work. (more…)
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